5 WAYS TO RECHARGE YOUR CREATIVE BATTERIES

Like everyone, we sometimes need to take a break at Audience Productions. Maybe we’re falling into the “sausage factory” mentality, have hit a mental wall for the day or just need some fresh inspiration to tackle a creative problem. Here are five ways we take a step back from the daily grind and revitalise our thinking.

 1. CONSUME MEDIA

Sometimes, when you’re stuck on a creative problem, the  best thing to do is see how someone else tackled it. That might involve reading a scene in a novel that gets across a lot of exposition without being boring, or discovering how different line thicknesses makes comics come to life. In a film we’re working on, there’s a transitional scene where the main characters are walking through a park, that needs to show time has passed. So we watched a similar scene in The King’s Speech, which handled the problem in a really cool way. We won’t replicate it exactly, of course, but it has given us some good ideas on making our park scene work well.

The King's Speech

The King’s Speech

2. GET PHYSICAL

If you’re getting restless or bored, go to the gym and bliss out with something physical instead of mental. On the treadmill or cross-trainer, you don’t have to look at emails or think about work. We like to rewatch a rugby league game that our team has won, but you might get the same effect from listening to music or a stand-up comedy album.

 

 

3. WORK ON A PERSONAL PROJECT

When client-based work hits a snag, or you feel you’re not giving it your best, turn to a project of your own. We came up with an idea in Sedona. The place we were staying had a litter of Hemingway kittens – who have six fingers on their paws instead of five. We came up with an awful image of them getting drowned in a bag, and that spurred the idea of how horrific it would be to find that, which led to a film idea. This week, we took a day away from other tasks to work on developing the script, which has given us some time to subconsciously reflect on other jobs in the queue instead of brute-forcing solutions.

Hemingway Kitten

4. GET A FRESH PERSPECTIVE

If you’re working on something, get other people involved indirectly by posing some specific questions related to their area of expertise. For example, our Sedona script’s main character is a little girl, who finds the bag of kittens. There’s a house number on the bag that spurs the story, so we needed to know how young kids are when they start recognising numbers. So we contacted a friend of ours, who’s a mother of three girls, through Facebook. We ended up chatting for most of the morning, asking questions like, “Would you let your daughter ride alone on a bike?” to find out what would be realistic. That was really helpful, took the story in different directions than we anticipated, and kept us enthused about the project.

5. GO TO THE PUB

Editing is a solitary pursuit, and it can be easy to wall yourself off from other people. The best solution is to go somewhere with friends – which doesn’t have to be the pub, of course – and take in some new experiences, get some fresh stimuli and soak up the outside world. Who knows? You might rescue a bag of drowning kittens and get a great idea for a film!

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